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Chasing Perfection

13/8/2014

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Picture"The Floating World" # 12 x 24 oil
This time of the year, the waterlilies are in bloom.  The lotus flower is spectacular, to begin with.  They are harder to paint than I would have predicted because they, like clouds, appear at first glance to be all white;  closer examination reveals that the petals are defined by the colours they reflect and their tiny imperfections where some insect has taken a bite;  their centres stand as stiffly as soldiers and glow with a yellow that painters will identify as cadmium yellow deep.

The leaves, however, are even better!  They reflect the sky and the flowers;  these ones begged for the laying in of Prussian blue glazes.  And they forced me to learn how to paint water droplets.  My father bought a print when I was a child;  the artist had painted a rose with a perfect droplet beside it and Dad endlessly admired  that detail. As a result, I felt daunted at the prospect of trying one.  It turns out that a drop of water has two predictable characteristics:  it casts a shadow, and it always has a spot or two of reflected light, as your pupil does.  And while a droplet tends to be rounded or globular, its shape is ultimately determined by its circumstance, as in the case of the upside-down heart in the upper right.  

I remember trying to bring waterlilies home, always failing and feeling like an assassin.  This is much better.   

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